O encontro das sombras: moda e arquétipos na construção do figurino de Cisne Negro
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2019-11
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Costa, Josiane Andréia Da
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Resumo
O artigo aqui delineado apresenta uma análise dos arquétipos presentes no filme Cisne Negro. Com base no figurino e na narrativa do filme, buscou-se analisar como os arquétipos aparecem tornando visível a dualidade da personagem principal. Nina é uma bailarina que aparenta infantilidade e inocência, porém, para interpretar o cisne negro em uma peça da companhia onde dança, precisa se conectar com seu lado sombrio. Tendo como objetivo a análise de como a Sombra dos arquétipos se apresenta caracterizando a dubiedade da personagem, o estudo fundamentou-se nas linguagens da moda, nos princípios do Design e na presença dos arquétipos do Inocente, do Amante e do Fora-da-Lei. Por meio de pesquisa qualitativa de cunho interpretativo por intermédio de pesquisa bibliográfica, verificou-se que as características sombrias da personagem principal, apesar de serem reveladas somente no final do filme, são reveladas por meio do figurino desde o início da narrativa. Os resultados das análises da pesquisa deram subsídios técnicos e serviram de inspiração para a criação de uma coleção de moda para uma marca que tem a criatividade e a irreverência como base em suas coleções, assim como pretende contar histórias traduzindo aspectos da sociedade.
This article presents an analysis of the archetypes present in the movie Black Swan. Based on the movie’s costuming and narrative, it seeks to analyze how the archetypes emerge making visible the dualism of the main character. Nina is a ballerina who appears to be innocent and infantilized, however, in order to interpret the black swan in a play from the company where she dances, she needs to connect with her dark side. Aiming the analysis of how the Shadow of the archetypes comes to light featuring the character’s dubiety, the study is based on the fashion languages, on the principles of Design and on the presence of the Innocent, the Lover and the Rebel’s archetypes. By means of a qualitative research of an interpretative nature through bibliographical research, it was verified along this study that the character’s darker characteristics, although being unveiled only by the end of the plot, appear through the costuming since the beginning. Lastly, the results of this research bring technical allowances and serve as inspiration for the creation of a fashion collection headed to a brand that has creativity and irreverence as a basis for its collections, just as it intends to tell stories communicating aspects of the society.
This article presents an analysis of the archetypes present in the movie Black Swan. Based on the movie’s costuming and narrative, it seeks to analyze how the archetypes emerge making visible the dualism of the main character. Nina is a ballerina who appears to be innocent and infantilized, however, in order to interpret the black swan in a play from the company where she dances, she needs to connect with her dark side. Aiming the analysis of how the Shadow of the archetypes comes to light featuring the character’s dubiety, the study is based on the fashion languages, on the principles of Design and on the presence of the Innocent, the Lover and the Rebel’s archetypes. By means of a qualitative research of an interpretative nature through bibliographical research, it was verified along this study that the character’s darker characteristics, although being unveiled only by the end of the plot, appear through the costuming since the beginning. Lastly, the results of this research bring technical allowances and serve as inspiration for the creation of a fashion collection headed to a brand that has creativity and irreverence as a basis for its collections, just as it intends to tell stories communicating aspects of the society.
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Design de moda; Arquétipos; Cisne Negro; Fashion Design; Archetypes; Black Swan
Citação
LISOT, Manuela. O encontro das sombras: moda e arquétipos na construção do figurino de Cisne Negro. 2019. Artigo (Graduação) – Curso de Design de Moda, Universidade do Vale do Taquari - Univates, Lajeado, 25 nov. 2019. Disponível em: http://hdl.handle.net/10737/3176.